This article aims to explore the ways in which the transformations that Rio de Janeiro experienced prior to hosting the Olympics echo in the soundscapes of Favela da Maré. Here, we draw from an (auto)ethnographic approach, and combine theoretical perspectives from sound studies, auditory culture, and studies of activist media. Our research indicates that some of the authorities’ oppressive impositions on favela residents’ daily lives manifest precisely through the suppression of sounds. We would like to argue that activist media in Latin America can be better understood if situated in a complex set of daily rhythms.
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